Click Here for TAPS.
But be patient if your internet connection is slow.
This rendition of TAPS was provided by and with always
many thanks to our Founder, Ann Bennett Mix.
Click Here for a second rendition of TAPS.
But be patient if your internet connection is slow.
This rendition was provided by Tom Ratliff, played and recorded by his son,
Michael Thomas Ratliff, to honor his Grandfather during a presentation
Tom made for Memorial Day, 2008.


The Story of TAPS
by Kathryn Shenkle, an historian with Arlington National Cemetery.
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The 138-year-old bugle call was composed by Brig. Gen. Daniel Butterfield, who commanded the 3rd Brigade,
st Division, V Army Corps, Army of the Potomac, during the American Civil War.
Butterfield wrote "Taps" at Harrison's Landing, Va., in July 1862 to replace the customary firing of three
rifle volleys at the end of burials during battle. "Taps" also replaced "Tatoo," the French bugle call to
signal "lights out."
Butterfield's bugler, Oliver W. Norton of Chicago, was the first to sound the new call. Within months, "Taps"
was sounded by buglers in both Union and Confederate forces.
"Taps" concludes nearly 15 military funerals conducted with honors each weekday at the Arlington National
Cemetery as well as hundreds of others around the country. The tune is also played at many memorial services
in Arlington's Memorial Amphitheater and at gravesites throughout the cemetery.
"Taps" is sounded during the 2,500 military wreath ceremonies conducted at the Tomb of the Unknowns every year,
including the ones to be held this Memorial Day. The ceremonies are viewed by many groups, including veterans,
schools, and foreign officials.
One of the final bugle calls of the day on military installations, "Taps" is played at 10 p.m. as a signal to
service members that it is "lights out."
When "Taps" is played, it is customary to salute, if in uniform, or place your hand over your heart if not.
The composer of "Taps" was born Oct. 31, 1831, in Utica, N.Y., and joined the Army in Washington, D.C.
He was awarded the Medal of Honor in the U.S. Volunteers on June 27, 1862. After his brigade lost more than
600 men in the Battle of Gaines Mill, Butterfield took up the colors of the 83rd Pennsylvania Volunteers. Under
heavy enemy fire, he encouraged the depleted ranks to regroup and continue the battle.
Butterfield died July 17, 1901, and was buried at the U.S. Military Academy at West Point, N.Y. "Taps" was
sounded at his funeral.
* * * * *
Ron Haber, who's wife is a great-great-great niece of General Butterfield writes that there is a statue in
Manhattan erected in the memory of General Butterfield. It stands in the park named Sakura Park at West 122nd
Street between Convent Avenue and Riverside Drive. He stands on his pedestal with Riverside Church
to his left and Julia Grant's Tomb fixed in his gaze directly ahead of him.
On West 12th Street, where he lived after the War, a noteworthy small apartment building stands on the site
of his home. This late 20th century building is called Butterfield House.
* * * * *
The lyrics to TAPS . . .
Day is done
gone the sun
from the Lakes
from the hills
from the sky
all is well
safely rest
God is nigh
Fading light
Dims the sight,
And a star gems the sky,
Gleaming bright,
From afar,
Drawing nigh,
Falls the night.
Thanks and praise
For our days,
Neath the sun,
Neath the stars,
Neath the sky,
As we go,
This we know,
God is nigh.
Thanks to Teresa Jones for the lyrics above. A final Verse Was Sent in by David Estes:
Fades the light
From afar
Goeth day,
cometh night
And a star
Leadeth all,
speedeth all
To their rest.
Click here
for a very complete story of Taps, direct from Arlington National Cemetery.

